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Monday, November 30, 2009

From the depths of my external hard drive: By the Sea



Wendy & Bonnie - By the Sea (Genesis, 1969)

(known by most of the world as "that song playing in the beginning of Super Furry Animals' Hello Sunshine")

Saturday, November 28, 2009

Introducing: Ghost Mall




This is what we long for: building weak walls in creaky floors
And going to leave while they become debris and windows and doors are left crumbling

This is what we long for: awkward waltzes on kitchen floors
And going to sleep on sands of the beach, just the waves to wipe our sleepy eyes


I don't know much about Ghost Mall. They sent us an e-mail. They call themselves a "ramshackle pop band". They like comic books and, apparently, sponge baths - that's what their MySpace says. They're from New York. They sound like they're from New York. Their songs feel rusty but comfortable, kind - like a friend's handshake and the promise to see you later; to get you through the day. "Let's save the world. Let's save the world. That's why we do this. " As if they're constantly trying to jolt you, make you move, wake up, do something. And if extending a sweaty helping hand is what it takes for you to start living, they'll offer it to you. They'll do that. They'll mutter words of encouragement (- Listen, we can do this together. But you need to be a part of it, too. That's the point we're trying to make here.) "Simple songs won't save your soul, they'll just fill you up with some false hope. And I'm not asking, I'm TELLING you: there's something you need to do." You can imagine yourself 30 years from now, all old and wise, sitting in this dusty, rickety chair by the fire , and thinking of these words. Wishing you'd taken these guys' advice. And suddenly you know that from now on and for the foreseeable future you will use these songs again and again as some sort of periodical reminders to do that something, no matter what it is. Not waste another minute, not feel lazy, not take things for granted. You need that reminder. Perhaps not every day. Just on bland evenings such as this.

Wednesday, November 25, 2009

Cupcakes and holiday spirit



The Smittens: Magpies and Eccles Cakes ❅ Pajaro Sunrise: Salt and Spoon
The Airfields: Icing Sugar ❅ Piney Gir: Of All the Wonderful Things
+

The Futureheads - Struck Dumb

Our Time Warp Christmas Party last week - which we threw for our friends because we're going to be out of the country in December - had eggnog, homemade oatmeal cookies, Santa hats, a Christmas tree with fake wrapped-up presents under it, mistletoe, lights, and Christmas-y songs and carols. Which is all very nice, except for the part where I find myself in this huge dilemma the day after: since we already used up all the holiday traditions for the time-warp Christmas, what else is there to do when the real one comes? (the one I refer to in my head as the Second Christmas) There is the present-exchanging ceremony of course, which we wisely left for December. But apart from that? There had to be something special out there we hadn't thought of. And the answer was this: Christmas cupcakes. At first it just seemed like a cute idea, but my fixation with cupcakes grew exponentially over the next days. Liners, pops, toppers, sprinkles, candle holders - I searched and searched the web until I found everything I wanted. I decided to go on a Christmas splurge and order right away. I went completely cupcake-crazy: elves, snowflake liners, Santa Claus figurines, reindeer with edible antlers, red and green cases. The items were shipped today and I couldn't be more excited. If one is to judge by the pictures, they look absolutely freaking amazing. So if you decide to go with cupcakes this holiday season, you can find pretty much everything you need on Etsy, whether you decide to shop from Sweet Treats Supplies, Cupcake Social or Hey YoYo.

Now if I hadn't spent all my money on the aforementioned items, I would also go for Hello Cupcake, a recipe book apparently full of "irresistibly playful creations that anyone can make".




And of course this post would not be complete without a mention of the incredibly talented, ever-inspiring Bakerella. There are some great sites on baking out there, but this one surely takes the cake. (Oh look I can do baking puns! Hmm...maybe I should have gone with "icing on the cake" instead. Nevermind, moving on.) If you need any ideas or recipes for your cupcakes, pies, cakes and brownies, or simply feel the need to spend some hours drooling all over your screen I suggest you head over to Bakerella's scrumptious website. Here are some of her wonderful creations:












Thursday, November 19, 2009

In a boy-meets-girl story the boy should always meet the girl.

When candles light themselves and the air turns creamy
Why not take a photograph?
You look so dreamy
Then stand in the blackness, smile at the tinkling

Blinded by lovedust; what did I see?


A million, a billion, a trillion stars.


Otouto - Sushi
Luna - Lovedust
Back in Judy's Shack - The Puff, The Drag, The Whiff
*

"EVERY day Justin Horgenschlag, thirty-dollar-a-week printer’s assistant, saw at close quarters approximately sixty women whom he had never seen before. Thus in the few years he had lived in New York, Horgenschlag had seen at close quarters about 75,120 different women. Of these 75,120 women, roughly 25,000 were under thirty years of age and over fifteen years of age. Of the 25,000 only 5,000 weighed between one hundred five and one hundred twenty-five pounds. Of these 5,000 only 1,000 were not ugly. Only 500 were reasonably attractive; only 100 of these were quite attractive; only 25 could have inspired a long, slow whistle. And with only 1 did Horgenschlag fall in love at first sight.

Now, there are two kinds of femme fatale. There is the femme fatale who is a femme fatale in every sense of the word, and there is the femme fatale who is not a femme fatale in every sense of the word.

Her name was Shirley Lester. She was twenty years old (eleven years younger than Horgenschlag), was five-foot-four (bringing her head to the level of Horgenschlag’s eyes), weighed 117 pounds (light as a feather to carry). Shirley was a stenographer, lived with and supported her mother, Agnes Lester, an old Nelson Eddy fan. In reference to Shirley’s looks people often put it this way: “Shirley’s as pretty as a picture.”

And in the Third Avenue bus early one morning, Horgenschlag stood over Shirley Lester, and was a dead duck. All because Shirley’s mouth was open in a peculiar way. Shirley was reading a cosmetic advertisement in the wall panel of the bus; and when Shirley read, Shirley relaxed slightly at the jaw. And in that short moment while Shirley’s mouth was open, lips were parted, Shirley was probably the most fatal one in all Manhattan. Horgenschlag saw in her a positive cure-all for a gigantic monster of loneliness which had been stalking around his heart since he had come to New York. Oh, the agony of it! The agony of standing over Shirley Lester and not being able to bend down and kiss Shirley’s parted lips. The inexpressible agony of it!

* * *

That was the beginning of the story I started to write for Collier’s. I was going to write a lovely tender boy-meets-girl story. What could be finer, I thought. The world needs boy-meets-girl stories. But to write one, unfortunately, the writer must go about the business of having the boy meet the girl. I couldn’t do it with this one. Not and have it make sense. I couldn’t get Horgenschlag and Shirley together properly. And here are the reasons:

Certainly it was impossible for Horgenschlag to bend over and say in all sincerity:

“I beg your pardon. I love you very much. I’m nuts about you. I know it. I could love you all my life. I’m a printer’s assistant and I make thirty dollars a week. Gosh, how I love you. Are you busy tonight?”

This Horgenschlag may be a goof, but not that big a goof. He may have been born yesterday, but not today. You can’t expect Collier’s readers to swallow that kind of bilge. A nickel’s a nickel, after all." (...read the rest of the story here)

excerpt from "The Heart of a Broken Story", J.D. Salinger

Wednesday, November 18, 2009

What Emily Did



I can honestly say I'm a fan of pretty much everything Emily Haines has done so far, musically. There is Metric of course, and there is her solo stuff, but there's also - let's not forget - her many wonderful collaborations. Some, like "Anthems for a 17-year Old Girl", seem to be universally loved while others, like "Stopwatch Hearts" or "Uptown Girl", are less well known. From her songs with Stars and The Stills, to her involvement in Crystal Method and even Tiesto projects - it seems that this is one musician who cannot go wrong. Here's a look at some of the highlights of her career.

What Emily Did

K.C. Accidental - Them [Pop Song #3333] (Anthems for the Could've Bin Pills, 2000)


Stars - On Peak Hill (Nightsongs, 2001)
Stars - Going, Going, Gone (Nightsongs, 2001)


Broken Social Scene - Anthems for a 17-Year Old Girl (You Forgot It in People, 2002)
Delerium - Stopwatch Hearts (Chimera, 2003)
Broken Social Scene - Backyards (Bee Hives, 2004)


Metric - Poster of a Girl (Live It Out, 2005)

What Emily Did Next


Jason Collett - Fire (Idols of Exile, 2005)
The Stills - Baby Blues (Without Feathers, 2006)
MSTRKRFT - She's Good for Business (The Looks, 2006)


Emily Haines & The Soft Skeleton - Doctor Blind (Knives Don't Have Your Back, 2007)
Metric - Hardwire (Grow Up and Blow Away, 2007)

Crystal Method - Come Back Clean (Divided By Night, 2009)
Tiesto - Knock You Out (Kaleidoscopes, 2009)
k-os - Uptown Girl (Yes!, 2009)



Metric - Blindness (Fantasies, 2009)

Tuesday, November 17, 2009

That summer.



Marine Girls: Honey
Sunny Summer Day: Something in Your Eyes
The Subways: No Goodbyes

The fire in leaf and grass
so green it seems
each summer the last summer.

The wind blowing, the leaves
shivering in the sun,
each day the last day.

A red salamander
so cold and so
easy to catch, dreamily

moves his delicate feet
and long tail. I hold
my hand open for him to go.

Each minute the last minute.




(Denis Levertov: "Living")

Friday, November 13, 2009

10 reasons to look forward to: Primavera Club 2009






With Primavera Club (aka Primavera Sound's little winter brother) less than a month away,  I for one am getting mightily excited. I'm flying to Barcelona in a little under two weeks, (Eliza will follow a little later) and we'll be spending the holiday season there (at my mom's house), only returning home in early January.
 
I've collected ten tracks that I'd like to see played over the five days of the festival..
 
1. So Cow


 
  2. Me and the Bees

 


3. Scout Niblett

 
 

4. Ted Leo and the Pharmacists
 
 
 

5. Cass Mccombs


 6. Woods


 Woods - To Clean

 7. Deer Tick
 
 


9. Port O'Brien





10. Jeffrey Lewis and the Junkyard

 
 Full lineup:

 

  

Thursday, November 12, 2009

Who said that the Album is dead?



Okay, so I'll be the first to admit that I rarely listen to whole albums nowadays. These past weeks however, I found myself obsessively doing exactly that. It started innocently enough, when I played the first track on the brilliant Where the Wild Things Are OST. Then I let the next track play as well. And the next one. And the next one. Before I knew it, I was loving it so much I truly could not skip a song. Not even parts of the song, like skipping the end when you feel it's getting too long! I know, I feel like it's 1999! Here, then, are some other records that I've been playing straight through, again and again, during the last month.

"Dead Man's Bones" by Dead Man's Bones (buy)
Download: My Body's a Zombie for You
Download: Young and Tragic

"Við og við" by Ólöf Arnalds (buy)
Dowload: Englar og dárar
Download: Moldin

"The Limes" by The Limes (buy)
Download: Beyond Blue
Download: Dead Furniture

"Pony Up!" by Pony Up! (buy)
Download: Shut Up and Kiss Me
Download: Marlon Brando's Laundromat

"What Will We Be" by Devendra Banhart (buy)
Download: First Song for B
Download: Last Song for B

Wednesday, November 11, 2009

The Magnetic Fields Announce New Album!


As regular readers of Letters have no Arms will surely already be (perhaps excessively) aware of, we here are rather big fans of The Magnetic Fields. You can imagine therefore our unbridled glee (yes, glee!) (and yes, unbridled!) upon reading today's news: The Magnetic Fields are set to release a new album, titled, Realism, on January 26th!

 Tracklist:

01 You Must Be Out of Your Mind
02 Interlude
03 We Are Having a Hootenanny
04 I Don't Know What to Say
05 The Dolls' Tea Party
06 Everything Is One Big Christmas Tree
07 Walk a Lonely Road
08 Always Already Gone
09 Seduced and Abandoned
10 Better Things
11 Painted Flower
12 The Dada Polka
13 From a Sinking Boat



As for what it might sound like, we can perhaps look back to an interview Stephin Merritt gave to the Village Voice in October of last year:


Q: Are you inclined to unveil the direction of the new material?
A: Well, it will be the third record of the 'no-synth' trilogy. So I'm willing to unveil that it isn't an electro-pop album. 
 

 (Dare we hope for a tour?)
 
The Magnetic Fields - Long-forgotten Fairytale
!!! - Take Ecstacy With Me (The Magnetic Fields cover)

!!UPDATE!! (from The House of Tomorrow official site):

"The Magnetic Fields' new album, "Realism," will be released on Nonesuch Records on January 26, 2010. Swerving from the unrelenting feedback pop of "Distortion," this record explores the various genres under the umbrella of folk. Stephin says, "I thought of the two records as a pair, and I initially wanted them to be called 'True' and 'False.' But I couldn't decide which I wanted to be called 'True' and which I wanted to be called 'False.'" The band will be touring in 2010"

Tuesday, November 10, 2009

A Chat with School of Seven Bells





Letters Have No Arms: First of all, tell us about your band name. Why “School of Seven Bells”?
Alejandra Deheza: I heard the name on a doc I was watching about these movie heist  like shoplifting rings that plagued the east coast in the 90's.  These invisible thieves allegedly were trained at the school of seven bells in the 80's in South America.  Now, this was a pickpocketing academy that trained expert prodigious thieves that would then be released into the world to impoverish it one pocket at a time. True or not, it's a great story, and therefore a great name for a band. Simple as that.

LHNA: How would you describe your sound to someone who’s never listened to your music before?
A: Easy to visualize, but hard to explain in words.  A good  dose of psychedelics might take care of that.

LHNA: Most articles I've read concerning SOSB emphasize the fact that you have what some people have called a rather unusual song writing process: apparently you always start with the lyrics?  How important do you think lyrics are in a song? Is there a particular message, idea, frame of mind, or feeling you want people to take from your songs?
A: Actually, that was just one method we used. It varies from day to day. We have no rules for it. Having them (rules) you end up writing the same song ten times. We've all heard records like that, and it works for some people. It's just not the record I wanted to make. Lyrics to me are crucial in a song.

LHNA: What are the advantages of being a band? And what’s not so great about it?
A: Putting everything you have into what you love. Putting everything you have into what you love.

LHNA: What would you have liked to do for a living if music wasn't an option?
A: Write write write.

LHNA: What’s the one book that you would force everyone to read?
Anything Borges.

LHNA: If you could ask for a superpower...
A: it would be to have unlimited superpowers.

LHNA: You really suck at...
A: Any sport that requires hand eye coordination.

LHNA: What is the one thing that makes you feel better no matter how crappy a day you’ve had?
A: Night wanderings always do the trick.

LHNA: What provides inspiration for your songs?
A: The idea of writing a new song. Really.

LHNA: There are so many new bands popping up all over the place. Do you keep up with them? Or are you more focused on your own? Any favourite bands at the moment?
A: I pretty much focus on what I'm doing, but discovering Phantogram this past tour was such a fucking treat.  Beautiful songs. I wake up singing them.

LHNA: Do you read music blogs? Which ones?
A: Not really.  I'm more into sites like Beautiful Decay and FFFFound.

LHNA:  Where do you see yourself in 20 years?
A: I don't want to think about that yet. It'll ruin the surprise.



A big thank you to Alejandra Deheza for taking the time to do this!
I'm not gonna tell you to buy their album because, of course, you've already done that (duh). How 'bout a cool T-shirt instead? ;)



Saturday, November 7, 2009

SEXUAL LANGUAGE



5888 5 (you don't care) Jason Loewenstein's A Wanker

Peleg. Babylon. Flesh came back onto their bones. Return of the Prodigal Son. Silly Symphony. Recurring word patterns. Like, Like, Like, Americans in Europe. Morning erections. Procreation. The family system. The whole fucking kit and caboodle. We talk, but, essentially, we are saying nothing. I’m gonna cover myself in mud, yeah, I’m a Believer.


They burnt her like a spider. (you don't care)

I have no words. No words. My dear friends, I greatly appreciate your attempts, but, really, there is no end. There is no end. And the more I contemplate, the less I work. Touche, froggy monster friar - twas blixa bar money he doth the rapeth, he doth too nigh. Papa Satan, Papa Satan.


Doth approaceth. Doth glove foxy silken twiddle.

Spanish Rain (you don't care)

The cat that was a dog,
and was a singing boat,
and was a doormouse,

Well,

He was a gold and singing boat,

Too.

He was also my boat,
He was also my ship,

2.
(you don't care)

he was watching your boats unfolden

Swelter Nertile (Now remove face-screws)

Swelter Nertile Merkent (Now unhinge thy knee)
A titulary rextile (Now ungle mine past)
Rentile swelters (Now forget her memory)
Tersatile men... (now head)

They drewel tan burs,
like say the thing (Now snap off)

Then, know who what Meanest Swelter Temperature (Now)
Or Sprang through window fly-net (Now eat nose)

television Rorsites. (Now remove face-front)

and

you don't mind.

drip drop drop